Part of me is feeling extremely old now, and part of me is feeling extremely young. Because I look at these pictures and realize I worried about things that I shouldn’t have been worrying about. Like the fact that I had little marionette lines around my mouth when I was 29, and I was complaining about them. I wouldn’t go out to the beach without a sarong from my neck to my ankles. Now I see a picture of myself from that era in a bikini and I’m like, “You looked great. And you missed out on a lot of fun vacations, because you were so sure that you were fat.”
Spend more time in a bikini! All the little girls in their 20s, they’re terrified of looking like they’re not 16. And I’m like, “Oh, just get ready for what’s to come.” It’s going to be way harder for them. The world has become a much more vain place.
The singer—whose 2013 wedding ceremony to Deer Tick’s John McCauley was officiated by Fleetwood Mac’s very own Stevie Nicks—told Fuse about her inspiration in recording and creating the track:
“I feel like a lot of people don’t attempt to cover Fleetwood Mac because the personality of these songs are so distinct. I admit, I was terrified to do this, but I sang ‘Dreams’ on stage at a BMI event honoring Stevie Nicks. I was seven-weeks pregnant at the time. No one knew. I got to sing the song with Stevie’s band which was pretty great. Waddy Wachtel, the musical director gave me ‘the nod’ during rehearsal which, I think, meant he approved. Or at least I’m praying that’s what it meant.
"I knew the only way I could honor this song was to get an amazing band. My friend Patrick Hallahan (of My Morning Jacket) is one of my favorite drummers. He lives in Louisville and despite being super busy, woke up early, drove to Nashville, played the song and drove home. All before noon. The gorgeous harmonies were done by the Watson Twins, Nashville locals who are also from Louisville. And the guitars were all done by Adam Landry, who also produced the track. We sent the song to Stevie for approval, and we got the seal. Dream team!”
If Lou Reed, Springsteen and each Beatle can get into the Rock Hall as solo artists, why not Stevie Nicks? Fleetwood Mac’s queen witch has had a successful solo career for decades, starting with her Tom Petty duet “Stop Draggin’ My Heart Around” through the unstoppable “Edge of Seventeen” and 2014’s underrated 24 Karat Gold: Songs from the Vault. Nicks’ inimitable, gravelly voice and sartorial perfection — not to mention feminist perspectives — make her a musical icon; recognizing her bulletproof nature with a Rock Hall nod is the right thing to do.