The Dance, a release largely made up of Fleetwood Mac’s best-known hits, would earn the band three Grammy nominations and their first Number One album since 1982’s Mirage.“To be honest, I don’t remember hearing ‘Silver Springs’ done at rehearsals,” Elliot Scheiner, producer and engineer of the concert film, tells RS. Similarly, director Bruce Gowers doesn’t recall anything special about the early run-throughs of the song. It had always been a part of the set list for as long as he had been attending their practice sessions, and he just assumed that it had been a part of their pre-breakup concert repertoire. The looks exchanged by Buckingham and Nicks throughout the show – and the particularly raw moment between them during the climax of “Silver Springs” – did not come about until the two nights of taping in Burbank.
This was by design. Nicks has admitted that the fiery take on the song that appears in The Dance was “for posterity,” as she told RS at the time. “I wanted people to stand back and really watch and understand what [the relationship with Lindsey] was,” she later told Arizona Republic.
“’Silver Springs’ always ends up in that place for me because she’s always very committed to what those words are about, and I remember what they were about then,” Buckingham told Rolling Stone in 1997. “Now it’s all irony, you know, but there is no way you can’t get drawn into the end of that song.”